faculty, intensified perspective and the fixed point of view. 
Associated with the visual stress on point of view and the 
vanishing point that provides the illusion of perspective there 
comes another illusion that space is visual, uniform and 
continuous. The linearity, precision and uniformity of the 
arrangement of movable types are inseparable from these 
great cultural forms and innovations of Renaissance 
experience. The new intensity of visual stress and private point 
of view in the first century of printing were united to the means 
of self-expression made possible by the typographic extension 
of man.

     Socially, the typographic extension of man brought in 
nationalism, industrialism, mass markets, and universal literacy 
and education. For print presented an image of repeatable 
precision that inspired totally new forms of extending social